A Dream in
Which I Am Playing with Bees is a
collection of poems made of natural imagery, queer metaphors, personal
observations, and historical circumstances surrounding honeybees. In the
aftermath of a fictional bee extinction, these poems are presented to the
post-bee reader as “artifacts.” These are poems in hindsight.
Playing
with Bees positions poetry in hindsight to
contemplate poetry’s “natural” inclinations towards building alternative worlds
through earthbound metaphors. Whether in a line or an entire premise, none of
the poems could think, speak, or see in the same way if bees—and the relations
they make possible—suddenly disappeared. Like any natural resource, the bee is
a wellspring of possibility. Essential. Fragile. Causal. And like any animal,
the pollinating bee has enabled a diverse phylum of phrases and myths that
humans trade to express our most hard-to-name feelings.
What changes about our
imaginations after a peg in the environment is removed? What could disappear
from our minds, our fantasies, and our self-descriptors, if nature is no longer
a mirror?
Consider a museum of
language. As artifacts, these poems are the residue of a dead species—but they
are also the offshoots of a playful, abundant, delicate ecosystem. Playing
with Bees covets what’s left. At the bottom of everything, we find the
fragments an ecologically intact dream; an apocalypse in reverse.